Oct 23, 2009

The Steampunk Scholar's Schedule at Steamcon

For those who will be there, here are the date and times of my presentations and panels:

Captain Nemo as the original steampunk
In the updated, post-colonial English translations of The Mysterious Island, Jules Verne’s anti-hero Captain Nemo is revealed to be the antithesis of the Caucasian pop-culture portrayal made famous by James Mason and most recently continued by Patrick Stewart and Michael Caine: an Indian prince whose real name is Dakkar, leader of the Sepoy rebellion against colonial rule in 1857. It is this Nemo, Verne’s original character, who embodies the essence of the Steampunk aesthetic of the instability of identity through his repeated death-and-rebirth cycle in both novels. Mixing one part recursive fantasy, one part historical criticism, and one part textual analysis, this paper will demonstrate how Captain Nemo is representative of two iconic steampunk identities, as well as suggesting a third possibility for the future of steampunk.  
Friday, 4:00-5:00 pm, in the Seattle Room.

Meet Paul Guinan
An Interview & Autograph Session with Artist GOH Paul Guinan.
Saturday 11:00am - 1:00pm in the Seattle Room

Dungeons and Dickens: How to Steampunk your RPG
What happens when a Game Master mixes two of his favorite writers into one gaming world, and those writers are J.R.R. Tolkien and Jules Verne? You get Steam Lords, the steampunked Middle-Earth campaign Mike Perschon and his gaming group embarked upon over a year ago with thoroughly enjoyable results. Come find out how to apply the brass goggles, airships, and clockwork automatons to your roleplaying campaign, through a discussion of online resources, a brief review of some of the steampunk RPGs, and a look at the best miniatures for steampunk campaigns.
Saturday 3:00pm - 4:00pm in the Seattle  

Steam Wars: Steampunk aesthetic meets Space Opera
While steampunk continues to defy attempts at definition, a coherent aesthetic of steampunk artworks has begun to emerge. By establishing a link between space opera and steampunk, and then comparing and contrasting the well-known cultural icons of Star Wars and their steampunk counterparts, defining features of the steampunk aesthetic may be derived. A close reading of individual artworks to identify these defining features as represented by brass goggles, exposed technology, resistance of Empire, and egalitarian treatment of steampunk heroines, reveals why Star Wars, more than any other science fiction (or pop culture) narrative has been successfully retrofitted with the steampunk aesthetic.
Sunday 9:00-10:00 am in the Olympia Room

Come by and say hi!    

 

1 comment:

  1. Really enjoyed your SteamWars presentation. Can't wait to see you put the stuff up here.

    ReplyDelete

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