Curse of the Lost Pharaoh . The following post is the creation of a fan who needed a serious signal boost to promote Stateside fans of Murdoch Mysteries to raise the level of their squee to eleven, and for those who have never watched the show to get around to doing it already. I know I was inspired to do the same.
Dear U.S. Steampunk Community, the evil overlords of International Syndication Deals have most-wittingly conspired to deprive us of Murdoch Mysteries, the One True Steampunk-themed TV show, merely because it is produced by our Natural Enemy, the Working-Healthcare-System-Mongerer: Canada. The Ovation channel smuggled this Canadian gem over the border last summer, but then kept it for themselves and their handful of Twitter subscribers by cloaking it under the name The Artful Detective. How dare those dastardly art snobs deny the entertainment-starved masses this choice morsel? In the following review, I shall let you in on the best kept secret in cult TV fandom.
Murdoch Mysteries is a beautiful bricolage of every cult classic that you ever stayed up until 2am at college to watch in the college pub TV room: Wild Wild West retro-gadgetry, the toy box feel of The Prisoner, a smart-and-angst-ridden-is-sexy X-Files shipperfest, the genre/period fusion of Firefly, the quirky fun of Buffy the Vampire Slayer, Star Trek's interest in humanity, and the iconic paraphernalia of Dr. Who. Blend it all together and wrap a scrumptious pastry of science fantasy and Victorian period style around a tasty detective filling, and you get Steampunk CSI Murdoch Mysteries.
The American entertainment-industrial-schlock complex doesn't even know how to pull this off. Our television shows are sordid trash heaps of meaningless sex, random violence, torture porn, the cruelest personal betrayals, and hordes of crass people who are supposed to be signifying "the real" but just make everything feel dirty. American TV is sick. Murdoch Mysteries is the cure.
The long-suffering hero of the story, William Murdoch, is a morally earnest, impeccably dressed, infallibly courteous closet genius. He works at a police station that is just emerging from the era of apes beating on a monolith constables beating up hapless vagrants. Murdoch is not a good fit: he's a Catholic in a Protestant preserve, a keen intellect and rather a pretty boy among thugs, a lower class upstart who is trying too hard to prove he belongs in a better station. Beyond the default reticence of the Victorian gentleman, Murdoch is socially awkward, moody and extremely introverted; some fans have speculated he's on the high-functioning end of the Asperger's spectrum. Because he's meticulous and methodical, he is usually right, and he doesn't know when to stop pushing it. Murdoch can be outright annoying, but, miraculously, his boss, the irascible Inspector Brackenreid, recognizes Murdoch's merits and chooses to use them. Everyone who hates trying to "fit in" to the American system of shallow self-promotion will feel heartened.
practical forensic science and invents useful thingamajigs to solve crimes, he dreams of discovering a new dinosaur. Murdoch's combination of persistence, curiosity, and imagination transform him into Detective/Inspector Gadget, the first dork super hero (another Canadian creation!).
Each episode of Murdoch Mysteries is a well-crafted concoction of police procedural, medical whatdunit, and Sherlockian parlor sleuthing. The plots are tight and twisty, and the ending always satisfies. The episodes are self-contained, so it's easy for new viewers to drop in at any point. The first episode I saw was from the third season, and the only thing that took me a while to catch on to is why Murdoch was so at odds with his surroundings - first I had to figure out the show was set in Canada, and then I thought Murdoch was an American detective who was disliked as a foreigner.
However, there is a gentle arc that runs over the course of the seasons that allows the characters to develop and grow closer to each other.
ship-promoting fan vids.
For those who ship with slash goggles on, candidates abound - particularly the exhuberent inventor James Pendrick, who encourages Murdoch to hang out in his skyscraper, drive his electric car at the unholy speed of 55 miles per hour, and fly the first airplane that can bank into a turn. Murdoch is so discrete there is plenty of room for shipping of any stripe.
abortion, contraception, divorce, homosexuality, racism, police violence. These conflicts often touch Murdoch personally, and watching the poor guy lurch between love and loss, elation and devastation, will rip your heart out.
crackpot theories. But Murdoch's blindspots are easily forgiven when you realize these people are being confronted with the idea that their deepest beliefs about religion and nature are wrong. The British Empire, the triumph of their civilization might be morally wrong. Regarding women as an inferior species might be just plain wrong. At the same time some of the most fantastic Jules Verne-esque ideas are turning out to be right. Messages are being transmitted across the country by magic, electricity is lighting up the world, people fly through the air. It was a true age of wonders, and science was the fountain of wonder.
Murdoch Mysteries also offers a corrective to Victorian stereotypes: they weren't all repressed, conventional, passionless, preachy etiquette-bots. Their class and gender notions were troubled. When their human desires met social opposition, they found another way. They recognized their hypocrisies. Women found "respectable" ways to challenge the theology and law that reduced them to breeding stock. Boarding house busybodies and stern churchmen didn't stop sweethearts from getting a little nookie. The ostensibly strait-laced Victorians could be more radical thinkers than we are today: students became disciples of communist revolution, women advocated anarchy, and street-corner preachers were the crusading bloggers of their day. The aspect of Murdoch Mysteries that sneaks up on you is that struggles are deep, and really quite dark. But in a way this portrays the true essence of Victorianism: great turbulence roiling behind the polite veneer, speaking terms maintained via dapper suit and lace parasol.
The discerning audience will also spot a "budget arc" that resulted from Murdoch Mysteries' great success in Canada. Despite it's shoestring budget, the show aimed for high production values from the start. The casting was inspired, chock full of dedicated and skillful actors that adhere to high standards of performance. No one ever "phoned it in". The settings were achieved through a great deal of modeling and matte-painting, and a shrewd investment in music gave Murdoch Mysteries its special ambience. Over the years, sets and costumes became more elaborate. Special effects got better, CGI more seamless: most notably the sinking of a "titanic" steamship at the start of Season 7. Canadian actors aren't paid on the same awesome scale as American ones, so it's been a miracle that the show has kept such a terrific cast working together for so long. Some American appreciation (and distribution) might help reward them for it.
Last but not least, Murdoch Mysteries is a great ambassador for Canada. It's no secret that Americans are geographically ignorant and largely unaware of their global context. We disregard Canada as a bland country with a successful healthcare system, much like William Murdoch initially comes across as a bland guy with a successful crime-solving system. Murdoch Mysteries puts the many flavors of Canada on display - its relics of European culture, its melange of peoples, its natural grandeur. It also makes a turns the "Canadians are nice people" trope to best advantage: Canadians like thoughtful, quiet, earnest people. They respect intelligence and integrity over a slick image. They have a sense of moral responsibility. This is a useful mirror for the US, where Americans have by and large lost touch with their values: the voice of "morality" is usually someone trying to manipulate them for their own self-serving reasons. It's refreshing to watch a show where the characters want to be "good people", and that doesn't make them corny, naive saps or sanctimonious preachers. A year ago I only knew Canada was a big country to the North. Now I want to go see Canada for myself.
In sum, Murdoch Mysteries is the ultimate cult TV show. Murdoch himself is visually iconic in his homburg, riding his antique bicycle to the crime scene, crossing himself every time he kneels to examine a body. Smart viewers will glom onto the references to the past and the future, rich in opportunities for interpretation. These invitations to audience reading imbue it with the mythic quality of all great cult TV, but somehow this occurs in a cozy rather than epic manner. Murdoch Mysteries seems like light fare, but it sticks with you and calls for repeat watching. It's addictive. It's binge-worthy. And it's Steampunk CSI! Murdoch Mysteries: watch it, love it, spread the gospel.
Interview with Author Peter Bunzl, Part 5 - Welcome back to part five in our talk with filmmaker and animator Peter Bunzl, who is the author of Cogheart. Read Part One here. Read Part Two here. Read ...
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